About me
Hi, I’m Marta — a product designer in Berlin with nine years in tech and a fascination for how people navigate complexity.
That curiosity didn’t start with design. Early in my career on the business side, I saw people forcing tools to fit their needs, full of friction and inefficiency. That experience shaped my approach: I design for the real, messy, unpredictable ways people use things, focusing on the invisible struggles and the moments when they sigh or give up.
I thrive when the brief still has an unsolved core. I move fast, design with implementation in mind from day one, and make decisions even with imperfect information. The result? Fewer gaps between what’s designed and what ships.
Outside work, you’ll find me writing poetry, shooting analog photos, wandering museums, stumbling through Japanese, and playing bass guitar like nobody’s listening (hopefully).
About me
Marta's iPod
All Songs
Hi, I’m Marta — a product designer in Berlin with nine years in tech and a fascination for how people navigate complexity.
That curiosity didn’t start with design. Early in my career on the business side, I saw people forcing tools to fit their needs, full of friction and inefficiency. That experience shaped my approach: I design for the real, messy, unpredictable ways people use things, focusing on the invisible struggles and the moments when they sigh or give up.
I thrive when the brief still has an unsolved core. I move fast, design with implementation in mind from day one, and make decisions even with imperfect information. The result? Fewer gaps between what’s designed and what ships.
Outside work, you’ll find me writing poetry, shooting analog photos, wandering museums, stumbling through Japanese, and playing bass guitar like nobody’s listening (hopefully).
About me
Hi, I’m Marta — a product designer in Berlin with nine years in tech and a fascination for how people navigate complexity.
That curiosity didn’t start with design. Early in my career on the business side, I saw people forcing tools to fit their needs, full of friction and inefficiency. That experience shaped my approach: I design for the real, messy, unpredictable ways people use things, focusing on the invisible struggles and the moments when they sigh or give up.
I thrive when the brief still has an unsolved core. I move fast, design with implementation in mind from day one, and make decisions even with imperfect information. The result? Fewer gaps between what’s designed and what ships.
Outside work, you’ll find me writing poetry, shooting analog photos, wandering museums, stumbling through Japanese, and playing bass guitar like nobody’s listening (hopefully).
Marta's iPod
All Songs

